Essay his greatest, literary work. “Shenandoah Magazine called

Essay title: Old Man and the Sea

“We can’t ever go back to old things or try and get the �old kick’ out of something or find things the way we remembered them. We have as we remember them and they are fine and wonderful and we have to go on and have other things because the old things are nowhere except in our minds now”. ( Michael Palin 256) That was said by Hemingway to Bill Horne in 1923, it’s writing like this from Hemingway that has made him into such a great writer.

Ernest Hemingway's novel "The Old Man and the Sea" is considered to be his last, and often his greatest, literary work. “Shenandoah Magazine called Hemingway’s Novel the best, time may show it to be the best single piece of any of us.”(Baker 503-504) “The Old Man and the Sea was an enormous success for Ernest Hemingway when it was published in 1952.

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At first glance, the story appears to be an extremely simple story of an old Cuban fisherman (Santiago), who catches an enormously large fish then loses it again. But, there's much more to the story than that…

The short novel, recounts the trials of an elderly Cuban fisherman who is thrown into an exhausting life-or-death struggle of wills when he hooks an unmatchable marlin.”(James Topham) When questioned about the presence of symbols in the novel, Hemingway maintained that "There isn't any symbolism. The sea is the sea. The old man is an old man.

The boy is a boy and the fish is a fish. The sharks are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know."(Cuba). Hemingway also said that to be a great writer “ A writer, if he is any good, does not describe.

He invents or makes out of knowledge personal and impersonal and sometimes he seems to have unexplained knowledge which could come from forgotten racial or family experience. Who teaches the homing pigon to fly as he does?…” (O’Connor 99). I think what he said is true and without that thinking he had he may have not of been the great writer he is today. Despite the short length of the story and what Hemingway claims, the pages are packed full of symbols and themes open to interpretation.

From the beginning sentence to the very end, Hemingway employs a very basic, honest approach to storytelling using efficiently minimalist language to deliver a complex and engaging tale of pride, struggle, defeat and resolution.One ever-present symbol in Hemingway's novel is the sea. It represents the vast, limitless stage of life and the unpredictability of the world that surrounds it.

Even more so, the sea represents Santiago's eternal friend and enemy. The man is at ease with the sea and her unpredictability even though he is at her will, for she provides the opportunities that rule his existence and livelihood and he understands that. The same is true if you view the sea and the novel itself as parallels for life; those who are living have no choice but to weather the tides and storms of time, and can only learn to accept that which comes to them. The sea here in the novel also stands for nature, love and freedom. "He always thought of the sea as la mar which is what people call her in Spanish when they love her.

Sometimes those who love her say bad things of her but they are always said as though she were a woman" (Hemingway 29). What this means is that in Santiago’s eyes the sea stands for a beautiful woman full of love and gentleness, and she is a merciful mother, who nurtures all the sea creatures, the flying bird, the fishermen as well as Santiago. But on the other hand, the sea also symbolizes cruelty and unpredictability of nature and fate. "Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel?…But she can be so cruel and it comes so.

Essay of nature he must conquer. Earlier in

Essay title: Old Man and the Sea

the sea. In this part of the story, he goes out and fights nature in the form of terrible forces and dangerous creatures, among them, a marlin, sharks and hunger. He starts the story in a small skiff and moves out in a journey to capture a fish after a long losing streak of eighty-four days.

Unfortunately his friend must desert him due to this problem and a greater force, his parents. Santiago must go out into the danger alone. For three harsh days and nights he fights a fish of enormous power. This is the second form of nature he must conquer. Earlier in the story, the first part of nature is himself, for which he must fight off his hunger. This is a harsh part of the story.

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He manages though to get a few bites in the form of flying fish and dolphin of which he would like to have salt on. This part of the story tells of a cold and harsh sea, that is, one that has value and mystery as well as death and danger. It has commercial value as well as the population of life in it. It is dark and treacherous though, and every day there is a challenge. A similar story tells about a tidal pool with life called 'Cannery Road'.This part of the story has to deal with figures of Christ.

It mainly deals with Santiago as being a figure of Christ and other characters as props, that is, characters which carry out the form of biblical themes. On the day before he leaves when he wakes up, Manolin, his helper, comes to his aid with food and drink. Also a point that might be good is that he has had bad luck with his goal for a great period of time and is sure it will work this time. Later, though, when Santiago needs him for the quest he sets out to do, Manolin deserts him, although he may not have wanted to at this time. In the novel Santiago comes upon a force bigger than his skiff, the marlin which misleads him out far past his intended reach. This is where he starts to lose his strength against something which seems a greater force.

Santiago has a struggle of three days, which is significent because of the three days in Easter, and continues to fight on though his goal may not acquire anything. This is another idea through which Christ did, a struggle to get a goal done even though it may mean certain destruction to himself. This might accomplish nothing but the satisfaction of doing this and also has great risks. Finally he comes upon a painful experience with his hand which is in great pain and won't move.

This is useful in the place where Christ loses his physical self and has less to deal with. On the third day, he recovers himself and returns to his home even though his only remaining treasure was a broken skiff, experience, and a torn up marlin. And in the final conclusion, you can see him dragging the mast of his skiff, a cross-like object, in his hand.

This story has a certain sequence of events,.

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